What this site is for
Ukulele Warrior covers the ukulele family and stops there: soprano through baritone, the taro-patch, the banjolele, and the guitalele. Most people arrive here expecting a small guitar, and the first job of the site is to take that expectation apart. Standard GCEA is reentrant — the fourth string is tuned above the third — so a shape borrowed from six strings sounds its notes in an order nobody predicted, and the lowest pitch in a strum is very often not the root.
That one fact is why the site is narrow. A chord page here can assume a high G, name the note that actually ends up on top, and say when a low-G set changes the answer. What it cannot do is speak for instruments built on a different premise, and pointing at the site that can is a better answer than a thin section written for completeness.
Where to go instead
String WarriorThe same chord drawn across twenty-odd tunings at once, which is the one view a single-family site can never give you.
Theory WarriorWhy a reentrant voicing is still the chord it claims to be, argued in intervals instead of in fingerings.
Keys WarriorFour strings teach you to voice a chord with what you have. Seven keyboards teach the same lesson from the other end — a mono synth gives you one note at a time, and choosing which one is the whole exercise.
Bass WarriorThe low end a high-G ukulele simply does not have, and what the player holding it down is thinking about.
Mandolin WarriorFifths, paired courses, and a pick — nothing about the way your left hand makes a uke chord survives the trip.
Guitar WarriorSix strings, and the shapes a lot of ukulele grips are quietly borrowed from, with the bottom two put back.
Banjo WarriorReentrant tuning pushed further, with a fifth string that drones under everything and rolls in place of strums.
Fiddle WarriorNo frets, nothing to grab, and a bow — one melodic line doing the work a chord does here.
Ear WarriorA reentrant top means the note you expect on top often is not, so hearing what is actually sounding matters more here than on most instruments. That site drills exactly that, and never names the key.
Bluegrass WarriorThe band a ukulele is rarely invited into, and what every other seat in the circle is playing.
Music Warrior NetworkEverything here assumes you arrived for the ukulele. When the question turns out to be about harmony, ears, or a different neck, that site is the map: each sister's subject in a sentence and which one to open first.
Nashville WarriorFour strings and a reentrant top make a chord name feel like a fixed object. That site is where the same grip stops being the F shape and becomes whatever the One happens to be for this singer.
Mariachi WarriorThe vihuela is the network's other famous re-entrant instrument, five courses with the open third sitting highest. That site treats the tuning as a section decision rather than a curiosity, which is a new way to hear your own.
Jazz WarriorFour strings force you to leave notes out of a chord; that repertoire made leaving them out the point. Its players drop the root deliberately and hand it to somebody else — the same trade you have been making out of necessity.
Country WarriorNot a chair in this music at all, which is what makes it worth reading. The whole logic there is who is already occupied on which beat, so it shows exactly what any added instrument has to fit around.
Tres WarriorSmall, doubled-coursed, and routinely mistaken for a cousin — but a ukulele's job is usually to strum the chord along, and the tres's is to take the chord apart, one course per eighth note, and hand back a groove.
Sitar WarriorBoth instruments are fixed to a small handful of open strings, but a ukulele chord is four notes struck together and a sitar's line is one note over a drone that never changes: the far end of the same fretted-strings family.
Oud WarriorFour courses, and frets that do your intonation for you. The oud has six courses and none at all, so the same small-plucked-instrument problem lands on the left hand as a question about pitch itself rather than about which shape to grab.
Cuatro WarriorThe closest relative in the network by size and string count, and the most instructive difference: the Venezuelan cuatro also folds a string down inside its range, but it is a nylon-strung rhythm engine for joropo rather than a melody box.
Charango WarriorYou already know what a reentrant top string does to a chord you thought you knew. Now take four more courses of the same idea: GCEAE breaks the pitch order across the whole neck, and that site is the deep home for what comes out.
Cavaquinho WarriorFour small strings tuned high, in a dance music — the nearest instrument in the network to this one. The difference is that its tradition made the right hand the difficult part, and it will change what you think a strum is for.
Gear WarriorUke shapes do not change with the instrument, but tone and price do — that site tracks who builds the laminates, who builds the solid tops, and which of the two you are being sold.
Blues WarriorA ukulele can strum a twelve-bar blues with three shapes, which hides what makes it blue. That site takes the same bars and shows where each blues-scale note lands against them: inside the chord, as colour, or as a rub.
Flamenco WarriorA ukulele strum falls into fours by habit. A soleá runs in twelve, with the accents on 3, 6, 8, 10 and 12, and that site lays out that cycle and three more palos count by count.
Progression WarriorMost songs a ukulele strums arrive as a row of chord names over the words. That site reads the row: which key it sits in, and which chord has wandered in from outside it.
Pedal Steel WarriorA ukulele chord changes shape under four fingers. On a steel the bar stays straight and the pedals change the chord, and that site charts every pedal and knee lever on the E9 and C6 pedal steel necks.
Scales WarriorA ukulele scale chart shows one mode at a time. That site shows what surrounds it: the modes one altered note away, the family each belongs to, and where that family's mirror image falls.
Music Warrior AIAsk an AI assistant for a uke chord and you may get a guitar shape with two strings missing. Through that site it reads the ukulele's own voicings, soprano to baritone, from this network's data, and cites the page here that owns each chord.
How the sites divide the work
Each family has exactly one home, and the border follows tuning and repertoire rather than the word on the headstock. The guitalele is a ukulele here — six strings, but tuned ADGCEA, a fourth above a guitar, and fingered out of ukulele shapes — while the bass VI belongs to Bass Warrior for the mirror-image reason. Anything that needs instruments compared side by side belongs to String Warrior, the only site that carries them all at once.
More sites are under construction. They are deliberately absent from the list above, and each joins it the day it opens.